Few films enjoy the moniker of a “cult classic.” Few films have a one-armed hero, a blind antagonist who wields a Flying Guillotine, steal German techno music for the soundtrack, a martial arts tournament in the middle of the film, and have been inspirational to Quentin Tarantino and video games. Master of the Flying Guillotine (aka One-armed Boxer vs. The Flying Guillotine) is one of several old-school martial art films to take on an iconic stature amongst Asian film fanatics, amongst them include Five Deadly Venoms, Fist of Fury and Drunken Master. This movie is one of my favorite Taiwanese films – produced by First Films.

It is 1730 during the reign of Emperor Yung Cheng of the Manchu Dynasty and is in the case of all films about this oppressive era the protagonists are supporters of the Ming Dynasty. The awesome antagonist is a blind (disguised) Buddhist named Fung Sheng Wu Chi played with demonic fury by Kam Kong (Half a Loaf of Kung Fu). He wears Buddhist garb, has his own lifted musical theme of “Super 16" by the German group Neu! (they also use “Super” by Neu! in the opening theme and “Mitternacht”, “Morgensparziergang” and “Kometenmelodie 2" by Kraftwerk in the film), throws bombs that remind me of Tim from Monty Python and the Holy Grail and carries an ingenious weapon called the Flying Guillotine, it was used earlier in the movie The Flying Guillotine (1975). This weapon is a round circular disk with serrated edges on the outside and a retractable net with sharp knives that can be thrown by its user to go over the head of its opponent and with a jerk of the attached chain rip off the head. It is also be folded and fit in your pocket! With this weapon and his learned knowledge that his students Chow Lung and Chow Fu were killed by the One-Armed Boxer he goes off in search of his revenge.

The One-Armed Boxer (Jimmy Wang Yu reprising his most successful role as well as directing this film) is the sifu of a martial arts school where he shows his students how to fight, walk on empty baskets and to walk on ceilings (it is all in how you breathe). His students want to enter a martial arts tournament run by Wu Chang Sheng of the Eagle Claw school but he fears that government might find them out. He does agree to go watch the tournament though.

The tournament is one of the many highlights of the film. While the tournament film was nothing new (Enter the Dragon was done several years earlier), the approach of many styles and deadly fighting would go on to influence video games such as Mortal Kombat and Street Fighter. There are nine fights that range in quality but most are memorable. The first is Long Spear Chang Chia Yu (actually uses a three-section staff) versus Long Stick Ho Po Wei. This is a short but decent fight that is more memorable because the underrated Lau Kar Wing (also one of the stunt coordinators) plays Chia Yu and that it is more calm than the fights about the happen. However there is much more: there is a Mongolian who looks more like a silent movie star (with his dastardly false mustache) than a Mongolian. There is a double fatality. There are crotch kicks, eye pokes, pole-fighting, a one-armed fighter who accidently shows his other arm, a cheating Thai fighter and an Indian fighter who can stretch his limbs (like Dhalsim in Street Fighter) to attack his opponents. One of my favorite fights is the fifth fight between Eagle Claws Wu Shao Tieh (Doris Lung) and a Monkey Boxer Ma Wa Kung who is small, agile and carries the fight between the two (being comic relief he will not win but he will not die either).

But this tournament is just a diversion. The main plot will continue after the abrupt conclusion of the tournament. There are still several fights to go and two are unforgettable. The first memorable fight involves the One-Armed Boxer vs. the Thai fighter. Though Wang Yu would have trouble with plot, dialogue and making sense in many of his films he has always had an interesting knack on weaponry and situations. Here he uses a small metal house to trap the barefoot Thai fighter while the OAB’s students are piling wood and setting underneath the house ablaze making this a giant hotbox. This fight to the death is a bit difficult and is sometimes hard to watch but nonetheless a fantastic bout. Sometimes the hero must have some sadistic element in fighting his enemies. The last fight is an awesome inevitable confrontation between the protagonist and Fung Sheng. Here is where Fung Yu’s ingenuity at situational martial arts comes to blossom. I will not tempt to spoil this be explaining it (just in case you have not watched it). I will say that it is the perfect ending to this momentous martial arts film.

There are a couple of good Master of the Flying Guillotine R1 DVDs out there by Pathfinder. Pathfinder has a 2002 (Ultimate Edition) and 2004 (2-disc Anniversary Edition) release. The latest release is preferable because of the anamorphic video transfer, additional interviews with Jimmy Wang Yu and an insert booklet with a several goods articles including the history of the Flying Guillotine, the movie itself and one on Wang Yu. It is important to mention to extreme collectors that the commentaries are different on both disks. The first one has Wade Major and Andy Klein, the second adds Alex Luu to the mix. I was not particularly impressed by the second commentary. While they acknowledged their mistakes in the first one (such as calling this a Hong Kong film) they still did not add as much factual information as they could (name the music that was lifted instead of saying a German band) and they digressed a few too many times. While this film could use a better transfer (this is still a decent transfer and both Pathfinder versions seem to have the same quality, I just wish Criterion would pick this up; wishful bizarre thinking I know) it is great to see in a good-enough widescreen version with Mandarin dialogue.