http://www.channelnewsasia.com/stories/ ... 77/1/.html
As much as it has a ring of hype to it, I don't doubt the need was there at his age.
This bit shouldn't surprise anyone, except perhaps the Yen haters, some of whom have graced these very boards over the years with their entirely personality-based "critiques":
His recent films have done well in the box office and caused his acting fees to skyrocket from 5 million yuan (S$1 million) to 20 million yuan (S$4 million) per film, almost double the 11 million yuan (S$2.2 million) fee Hong Kong star Tony Leung Chiu Wai commands and Heavenly King Andy Lau's 9 million yuan ($1.8 million) asking price.
I'm sure the naysayers will say big boxoffice returns don't equal talent, but I don't think it applies with Yen any longer, if it ever really did outside certain online quarters. I suppose one still doesn't have to like his "persona" or his movies, but it's tough to deny the impact he's having on Chinese cinema, and Box Office Mojo's Hong Kong charts seem to justify the 20 million yuan fee he now charges:
2008 Hong Kong Box Office Take:
IP MAN - US$3.3 million+, #8 for the year, with 6 of 7 slots above it occupied by American films
PAINTED SKIN - US$1.3 million+, #32 for the year
EMPRESS & WARRIORS - U.S. $900,000+, #47 for the year
Remove the American films from the list, and all of Donnie's pictures were in or near the Top Ten for 2008. IP MAN at #2, PAINTED at #7 and EMPRESS at #12.
2007 Hong Kong Box Office Take:
FLASH POINT - US$1.15 million+ #31 for the year
Remove the American films here, and this becomes the #11 Hong Kong movie of the year.
2006 Hong Kong Box Office Take:
(another one a lot of western fans seem to dislike)
DRAGON TIGER GATE - US$1.5million+, #23 for the year, #8 HK movie for the year
2005 Hong Kong Box Office Take:
SEVEN SWORDS - US$975,000+, #34 for the year, #13 HK movie for the year
SPL - US$949,000+, #36 for the year, #15 HK movie for the year
So say what you will, but his popularity has only increased over the past four years, and entirely via action pictures tailor-made for his abilities (love them of hate them). It may not make him critic-proof in general, or especially to the malcontents who can't seem to let go of long-held, preconceived notions about the man himself (thankfully, we hear less from at least a couple of those folks around here these days), but it should be considered when appraising the man's films to at least a small degree