This Chinese JEREMIAH JOHNSON makes for an interesting comparison with Tsui Hark's THE BLADE, made the same year. The two films couldn't be more different, as far as the "swordsman" genre goes: SUN VALLEY is an autumnal elegy on the essential loneliness and psychological pain of the swordsman, whereas Hark's film, stylish as it may be, is busy and often merely chaotic. SUN VALLEY, a vehicle for Zhang Fengyi (co-star of FAREWELL MY CONCUBINE), has a power that lies in the strength of its convictions. Its overall quietness and restraint only atone for some sudden, if occasional, bursts of violence, which are as beautifully realised as the rest of the film. Fine photography, very fine acting (especially by Yang Kuei-Mei) and a surprisingly stylish symphonic score make this a mature, most satisfactory example of its genre. Definitely recommended!

[Reviewed by Thomas Muething]