
 
 
Masterofoneinchpunch wrote:Thank goodness a new page
Bought :
Last Hurrah for Chivalry (1979) HK (Dragon Dynasty)
Boxer's Omen (1983) HK (image/celestial)


 ).
). 


 Still, too colourful to miss!
  Still, too colourful to miss!
 While I certainly can't consistently get new releases as     close to release date as some of you folks, I don't have to wait too long for the W.Y. to lower their prices a bit, which allowed me to get:
 While I certainly can't consistently get new releases as     close to release date as some of you folks, I don't have to wait too long for the W.Y. to lower their prices a bit, which allowed me to get:
 
 )
 )
 


Brian Thibodeau wrote:UNDERCOVER (2007, Shawn Yue, Sam Leel. Not in the DB yet, although I'm hardly the first person to buy this one, I'm sure)
 


Yes, you are right -- you ARE hardly the first person to buy the film on disc, as my post from 26/07 at the top of the page will attest to..
 
 , although the recommendations and reviews are always appreciated!  Hope you're feeling better.
, although the recommendations and reviews are always appreciated!  Hope you're feeling better.
Brian Thibodeau wrote:Yeah, most of the new stuff I've been getting doesn't really leap out at me...and having likewise spent the last few weeks plowing...through stacks of American and Euro stuff...



I thought my wife might get some form of amusement out of Oliver Stone's Natural Born Killers (in its director's cut variant), but once again I was proven that Chinese humour and Western humour often don't mesh...

Snap! That's pretty much been the same course of viewing I've been following of late; have seen some good stuff, of the likes of Hotel Rwanda, but the mountains of unwatched Hong Kong/Korean/Thai/et al discs I have seldom of late has generated anything much beyond a cursory glance, the occasional sift-through, a few deep sighs, and then general passing over in favour of something else non-Asian in origin.
 
   
  If I resell it for two dollars, I've doubled my investment. Usually I don't mind movies that reference American films, but there's such a thin line between clever homage and copying-the-surface-without-invention, and CURSE crosses it. I can't say the film references any particular U.S. movies so much as it simply borrows the most basic elements of action and suspense scene construction but confuses their proper implementation and marries them to a story that isn't worth 90 minutes, and I generally dislike that in any cinema. There's a car chase in this movie that epitomizes what I'm trying to say; it's composed and cut very much like every run-of-the-mill car chase you've ever seen in mid-tier Hollywood product of the past decade or more, and yet there's almost no momentum to the chase because you can clearly see the cars aren't going very fast (we shouldn't be counting the white road lines in a properly executed action sequence). Perhaps a few insert shots from cameras mounted near the wheel wells closer to the road would have helped sell it, but I'm not sure the director was experienced enough to know the value of those. Worse, the cars chasing the hero in the scene are all "kit car" Ferraris, and as such, they're a major distraction (particularly if you're a car buff) because they just don't look quite...right, despite being reasonably well constructed (meaning they've got shiny red paint jobs and decals
 If I resell it for two dollars, I've doubled my investment. Usually I don't mind movies that reference American films, but there's such a thin line between clever homage and copying-the-surface-without-invention, and CURSE crosses it. I can't say the film references any particular U.S. movies so much as it simply borrows the most basic elements of action and suspense scene construction but confuses their proper implementation and marries them to a story that isn't worth 90 minutes, and I generally dislike that in any cinema. There's a car chase in this movie that epitomizes what I'm trying to say; it's composed and cut very much like every run-of-the-mill car chase you've ever seen in mid-tier Hollywood product of the past decade or more, and yet there's almost no momentum to the chase because you can clearly see the cars aren't going very fast (we shouldn't be counting the white road lines in a properly executed action sequence). Perhaps a few insert shots from cameras mounted near the wheel wells closer to the road would have helped sell it, but I'm not sure the director was experienced enough to know the value of those. Worse, the cars chasing the hero in the scene are all "kit car" Ferraris, and as such, they're a major distraction (particularly if you're a car buff) because they just don't look quite...right, despite being reasonably well constructed (meaning they've got shiny red paint jobs and decals  ). Perhaps it's the fact that body panels on real Ferraris don't wobble at high speed. I'm sure they had a low budget to work with as per Thai convention, but there are still many ways to rise above that creatively, but trying to ape the intricate, expensive action setpieces of American movies probably isn't the way to do it. Oh yeah, and the acting is pretty weak across the board, which doesn't help. So many beautiful people, so little actual presence.
 ). Perhaps it's the fact that body panels on real Ferraris don't wobble at high speed. I'm sure they had a low budget to work with as per Thai convention, but there are still many ways to rise above that creatively, but trying to ape the intricate, expensive action setpieces of American movies probably isn't the way to do it. Oh yeah, and the acting is pretty weak across the board, which doesn't help. So many beautiful people, so little actual presence.A couple of oldies for a few bucks...
Haunted Karaoke (Hong Kong) (DVD)


Brian Thibodeau wrote:Weird as it sounds, I keep hoping for a rainy, miserable weekend where I can just stay in front of the TV the whole time
 .
 .
cal42 wrote:Move to England. Problem solved.
 
   
 


 , I thought some folks might be interested in this little business-card sized advertisement for Slimclub Health & Beauty Creative Centre that appears to have been inserted into random "Legendary Collection" VCDs and probably others. This one was in QUEEN'S RANSOM. The model is none other than the highly underrated and underutilized Emily Kwan.
, I thought some folks might be interested in this little business-card sized advertisement for Slimclub Health & Beauty Creative Centre that appears to have been inserted into random "Legendary Collection" VCDs and probably others. This one was in QUEEN'S RANSOM. The model is none other than the highly underrated and underutilized Emily Kwan. 



...so I figured it's time to play catch-up on some of last century's movies again...
 )? I'm interested in opinions as I have all of them, but have only watched three: DON'T LOOK BACK, THE MIRROR and, of course, THE MISSION. The others are sort of buried in the pile, but I tend to move titles up (so to speak) on good recommendations. I actually thought DON'T LOOK BACK had real potential in the first half as a topical comedy dealing with parents living with their children, but the ghost stuff was very familiar. THE MIRROR didn't do much for me, either. Thought the basic set-up of a haunted dressing table was kinda weak, and the stories it tied together weren't very scary. Any chance some of the others in this bunch might be better?
 )? I'm interested in opinions as I have all of them, but have only watched three: DON'T LOOK BACK, THE MIRROR and, of course, THE MISSION. The others are sort of buried in the pile, but I tend to move titles up (so to speak) on good recommendations. I actually thought DON'T LOOK BACK had real potential in the first half as a topical comedy dealing with parents living with their children, but the ghost stuff was very familiar. THE MIRROR didn't do much for me, either. Thought the basic set-up of a haunted dressing table was kinda weak, and the stories it tied together weren't very scary. Any chance some of the others in this bunch might be better?
Brian Thibodeau wrote:...so I figured it's time to play catch-up on some of last century's movies again...
Just curious, are these purchases or movies you recently watched?
 


Mike Thomason wrote:Believe it or not, new purchases!
Yes, I know...the shame, the shame...I've never seen THE MISSION!

Btw, thanks for the piccie of Emily Kwan! Its-a nice...


Creep (Great Britain) (DVD)
 

 
 
 

Brian Thibodeau wrote:Creep (Great Britain) (DVD)
Just got this last week, actually. Blockbuster finally knocked it into their 4/$20 used price range. Worth that much, at least.



...and the continued drift away from Hong Kong movies continues...
 Plus, folks who appear to be tiring of Hong Kong cinema could still share their thoughts on the other great movies of the world. Just a thought...
 Plus, folks who appear to be tiring of Hong Kong cinema could still share their thoughts on the other great movies of the world. Just a thought...
Brian Thibodeau wrote:Plus, folks who appear to be tiring of Hong Kong cinema could still share their thoughts on the other great movies of the world. Just a thought...


Brian Thibodeau wrote:...and the continued drift away from Hong Kong movies continues...
I'm thinking a non-Asian "what have we been watching"-type of thread might be useful around here

Mike Thomason wrote:Though I can't really say I'm "tiring" of HK cinema per se, I have to admit it's been a pretty bland year on the SAR front so far -- there's maybe two or three films I'd consider have actually stood out from what I feel has been a largely mediocre sea of titles.

But I like the idea of an "other cinema" topic -- who knows, maybe it might inspire the more lazy (ie: me) to write a little more and in turn generate a ounce of enthusiasm to return to "regular" territory? But I'll leave it up to you at this point, Brian, as it's late and I'm off to bed...
 
 So I checked the credits and noticed the name "Ko Fung." Anyone know if this might be Ku Feng (who lists "Kok Fung" as an alias), and was he ever known as a Canto dub artiste back in the day? Thought it would be cool if it was and Kwan just wasn't aware of his long career in front of the camera. Any thoughts?
 So I checked the credits and noticed the name "Ko Fung." Anyone know if this might be Ku Feng (who lists "Kok Fung" as an alias), and was he ever known as a Canto dub artiste back in the day? Thought it would be cool if it was and Kwan just wasn't aware of his long career in front of the camera. Any thoughts?
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