Taijikid wrote: I was very surprised that nothing from the last year made the cut, given the effect of recency on film fan memories.
I think this is because Hong Kong film fans are stuck in the past, often because of the very lack of funds you mention. The older stuff is simply more affordable. Thankfully, prices for the newer movies do come down in time . . .
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I've only seen a handful of 2009 releases so far, but nothing I'd overly recommend running out to buy. In fact, most of these are earmarked for the local library already, though not for awhile in case I need to double check anything:
KUNG FU CHEFS - probably better if you've seen some of the My Way productions leading up to it, as it's definitely one of their more accomplished offerings, but compared to A-list Hong Kong product of 2009, I'm sure it comes up wanting. Context is key . . . Having Sammo, Louis Fan and two of the Yuen clan on board definitely kicked things up a couple of notches.
THE UNBELIEVABLE - review in the DB; definitely not for all tastes, including my own . . .
LOVE CONNECTED - watched this as part of a Patrick Kong marathon undertaken after discovering how popular most of his pictures had been at the box office with local youth (info that doesn't turn up in online reviews), and how nearly all of his pictures are infused with a cynical, often refreshingly bleak philosophy about modern romance. 'Tis true! This picture, though, feels like it was scotch-taped together from sketchy story ideas he couldn't squeeze into his previous twisty tales of love gone sour. Gorgeous looking—all of his films are, frankly—but if you've seen his previous films in something approaching a chronological sequence, you'll realize he stuck gold with L FOR LOVE L FOR LIES in 2008, and this, like FORGIVE AND FORGET before it, becomes an mechanical exercise in waiting for Kong's patented Next Big Twist®.
TEAM OF MIRACLE: WE WILL ROCK YOU: This little dose of Godstuff would be right up Bjørn's alley, I'm sure!

It has flaws—such as the unconvincing depiction of many of the soccer matches, and disadvantaged characters played too precociously to convince anyone that they could ever do what their namesake team did in real life—but I certainly couldn't fault it for being inspirational, which was its mission. These Media Evangelism pictures are generally not my bag, but they're often as well-made as similar-budgeted , but I tried to review the ones I've seen so far with impartiality toward the organizations behind them.
VENGEANCE: Saw this at TIFF. Though it was typically muscular Johnnie To, and it was great to see a Hong Kong filmmaker craft a movie around a gweilo who isn't Jean Claude Van Damme, but I think it will need some time to grow on me. At this point, I don't think it's his best work, but even second-drawer To is still infinitely watchable.
ACCIDENT: Another TIFF screening. Of this batch that I've seen, far and away the best. A brilliant, stylish exercise in creeping paranoia and logical twists, very much in the vein of producer Johnnie To's dark puzzlers (PTU, MAD DETECTIVE, etc.), but with Soi Cheang's indelible stamp. Possibly Louis Koo's greatest performance. This just left me energized for Hong Kong cinema in general after leaving the theatre.
L-O-V-E: This is from Taiwan actually. An anthology of four stories from four first-time directors (some with prior name recognition in the region) revolving around romance and related ephemera (memory, unspoken words, desperation, etc.), and starring a galaxy of Taiwanese pop idols. First story is probably the most heartfelt; second is the least developed, and ends unconvincingly; third is the best made and acted; and the fourth is a desperate screwball comedy loaded with broad acting and countless pop star cameos and precious little sense of wit.
INVITATION ONLY: Probably worth a boo if you can refrain from comparing it to all the American films it rather obviously emulates and place it in a local context, one in which young Taiwanese audiences had never seen anything like it made by one of their own, thus making it a smash. I expect we'll see something like this being made on the mainland by 2050. Full review in the DB.
I have literal tons of others here, old and new, and am just thankful that winter is now upon us in Canada, as I'm finally making some headway.
