sookjen wrote:Hey Bruce, Thanks for putting those pics on your website - awesome man. Are you a big fan of Chan? I remember seeing this as a little kid at the theatres - my eyes would popped open and say ah wah, ho yeah! The fifth installment which is Budda Palm 9th technique Mang Fut Chiu Zhong and introduces Chan and Siao together. So I was glad they put this in a boxset so I can watch it - Yeah, Chan did really good fighting monkey style and she collaborated well with Siao - so hence forth the many mo hup films they did together. Dragon Fortress I have never seen but now I have --good thing for dvd and vcds - Chan looks and fights awesome here. I think in her earlier mo hup films, she does more acrobactics like tumbles and cartwheels.
Hey Dleedlee - Tender Love, I think that is the one where Chan goes and works as a factory worker hence the famous song Yay to the Factory Worker. She was the factory worker's idol because she brought forth the hardship of the job and long hours - I remember my mom's friends singing the song. Purple Blossom you will enjoy as much as I did. It is a little harder to understand but you will get the gest of it. Monkey stormed the Dragon Palace - that one is real old and some of it was real boring but there are no wires - so you see Chan and Sum Chi Wah - Princess #2 fighting.
Bruce - thanks for the info on The Professionals, I wasn't aware of that film.
Which version do you prefer?
Bruce wrote:Bruce - thanks for the info on The Professionals, I wasn't aware of that film.
Which version do you prefer?
It's been many, many years since I saw The Professionals, but the main plot twist stuck in my mind because it was so unusual for a western, which normally has a standard good guys vs. bad guys plot. When I saw The Dragon Fortress, I recognized the plot right away. Of course the Hollywood film had bigger production values, but I thought it was a stroke of genius to make two of the mercenaries as females, in The Dragon Fortress. That removed the super-macho edge of the original film. Suet Nei was my favorite character in the film, and it seems to me that Hsu Feng's hard-edged portrayals in the 1970's were modeled on Suet Nei here. Meanwhile, Kenneth Tsang's role had the most personality, and carried the film's humor. But, like most films of the 1960's, the martial arts choreography wasn't up to 1970's standards. Very enjoyable, nevertheless.
http://www.angelfire.com/az3/kitty/castc/drf.htm
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