On artist contracts and 'freezing'
* (3/21/2008) Mani Fok Man Hei, Elaine Lok Yi Ling, Wong Jing, Paco Wong,
Gallen Law Ka Leung, Jade Kwan Sum Yin, and Eric Suen Yiu Wai yesterday
attended an "artist, manager discussion panel" at the Convention Center
with Ng Yu as the guest host. Ng Yu used the most sensitive subject
that managers like to hear the least, "betrayal", as the topic and asked
Brother Jing for his opinion? Brother Jing expressed immediately, "Expect
him to betray you. If he doesn't have any talent he doesn't have any
qualification to betray you. Betrayal requires abilities, no matter how
he promises I hope he would have the betrayal ability. (Wouldn't you be
mad?) You don't get to be mad. First I don't agree with signing long
contracts, like your Emperor long contracts I disagree with. 15 years are
too long. 8 to 10 are normal." At this time Mani spoke, "With such a
short term, they can easily leave after they become famous." Brother Jing
said, "By the seventh year if you are still investing, then not extending
the contract is your own fault." Brother Jing continued, "With a long
term meal ticket in hand, no matter how they betray they are useless.
When we made MONG JUNG YUN, an actress suddenly felt ill and quitted. So
we recast and finally that series broke rating records."
Ng Yu then asked Mani her view on betrayal. She expressed, "Maybe
my past artists are younger and don't think thoroughly. On my first day
as a manager I have already spent a lot of time and effort. I never
thought about being paid back. OF course I would like to see artists
become famous, which was very encouraging to me. As for betrayal or not,
each person's perspective is different, I have very high emotional
quotient and could withstand a lot of pressure. I am willing to spend
time with them. Artists and managers have arguments, sometimes I would be
mad. I slowly give them time and advice so they wouldn't fall so hard.
This is my responsibility." Lok Yi Ling expressed, "I constantly say to
artists, nothing lasts a lifetime." They also discussed suspension.
Brother Jing immediately said to Ng Yu, "Your refrigerator is the largest."
Ng Yu replied, "But it has no electricity, they freeze a little then they
are let back out." Mani felt that suspension could provide artists with
ample time to calmly think. When they returned they would be more alert.
Ng Yu continued, "The biggest has to be Ms. Lok's refrigerator, which has
frozen even Chow Yun Fat and (Andy) Lau Tak Wa." Ms. Lok immediately
replied, "We moved studio, it's demolished!" Ms. Lok also agreed with
Mani's view that artists should be rewarded and penalized and provided
time to think. Ms. Lok said, "When the company penalizes, outsiders
wouldn't scold him anymore." Paco Wong said, "I haven't suspend one
artist yet. I have three artists who automatically terminated their
contracts. If their attitude was too excessive, I think I would have
consider the matter anew."
Ng Yu was asked about Isabella Leong Lok Si's betrayal rumor. Ng
Yu expressed that he had no comment. He said, "We don't target any one
artist. The company have given its heart in hopes of be with the artists
forever." Mani also had no comment for any Leong Lok Si question. "I
am not avoiding it. Anything said now to Isabella herself or to our
company would unfair. It would only cause harm." Has she seen her
statement? She said, "Yes, but I won't respond. Hopefully this matter
will soon be resolved. I personally hope to continue to work with
Isabella. My expectation for her is enormous, I am proud of her."
Brother Jing criticized that 15 year contracts were too long. Mani said,
"Actually it wasn't 15 years. The contract was a trade secret. It's not
what he said." Charlene Choi Cheuk Yin criticized Juno Mak Chun Lung for
not writing his blog clearly. Mani said, "Diary shares feelings with
friends, but when the entire Hong Kong media is sharing your feeling, you
mya have to be more careful. Putting information on it poorly would lead
to many speculations. Ah Sa has been battling events alone and
withstood a lot of pressure. Everyone would be more understanding of
her. (Do you feel Juno was promoting himself?) I don't want to talk
about anything else. I believe that he isn't anyone like that."
A stuntman's life
* (3/26/2008) During the production of the 2003 film RUNNING ON KARMA (DAI
JET LO), a stuntman substitutes for an Indian actor in one scene in which
he jumps on a table then to ground. The stuntman claims that the wire
technicians pulled the wires that were connected to the table too soon,
making the wire come in contact with his heel and throwing him off
balance. When he fell he landed on his left hand, cracked his left wrist
and dislocated his left elbow. The stuntman yesterday filed a lawsuit
against Johnnie To Kei Fung's production company Milky Way Image for 5.7
million in compensation.
The 38 year old stuntman has been in the
profession for years, makes as much as 50,000 monthly and has ample
experience. The simple jump originally would not have been difficult for
him. Yet on the night of June 21, 2003, director To Kei Fung after three
to four takes still was not satisfied with the wire and other stunt
professionals' coordination and asked for another take. The stuntman
claimed that on the final jump to the table, the wire technicians pulled
the wires too soon and caused the incident. He also pointed out that the
production company has not provided cushion to break the fall, in turn
leading to his arm injury. Now he cannot even pick up anything heavy.
After the accident he is determined to 5% handicapped. Now even though
he can be an action coordinator he can no longer be a stuntman.
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