Old Fish / Qian jun yi fa
(China)
A Longjiang Film Studio, Tianjin Film Studio presentation of a Longjiang Film Studio, Tianjin Film Studio, Heilongjiang Province Police Dept. production. (International sales: Creative Artists Agency, Beijing.) Produced by Ren Huanqi, Gao Qunshu, Liu Tao. Executive producers, Lou Dongyi, Han Hongfei. Directed by Gao Qunshu. Screenplay, Lan Jinglin.
With: Ma Guowei, Pan Xingyi, Chi Qiang, Lan Jinglin, Zhou Gang, Gu Erli, Han Dong, Huang Jinjian, Song Wenchao, Yu Xiuhua, Lin Hong, Zhang Huimin, Zhang Jian.
(Mandarin dialogue)
After his offbeat take on war crimes with "Tokyo Trial" (aka "International Military Tribunal Far East"), mainland helmer Gao Qunshu comes out of the box with an even more original idea in sophomore feature "Old Fish." Marbled with mordant humor, this realistically observed drama about an aging bomb-disposal worker is both written and largely played by real-life cops. Drawing much more heavily on his TV drama background than "Trial" did, but still very cinematic, pic more than confirms Gao as a helmer to watch. Titled copped the Jury Grand Prix and actor award for non-pro Ma Guowei at the Shanghai fest.
A former army engineer now working for the Harbin police, Yu Liqing (Ma), dubbed "Old Fish," has a nagging wife (Gu Erli) and a son (Song Wenchao) whom he's trying to get onto the police force before his own time expires. When a time bomb is found in a chicken-processing factory, and there's no time to call in experts from Beijing, Yu is asked by his superiors to dismantle the device.
The underlying joke throughout the whole film is that Yu is simply a meat-and-potatoes, largely do-it-yourself engineer, not a highly trained bomb specialist. In company with pert young female cop Hu Xiaolin (Pan Xingyi) and other shambolic colleagues, Yu manages to disarm the device; back at the office, he finds its construction is cleverer than he thought.
In the midst of celebrating his success with colleagues, news comes of a double time bomb, also in a slum area, and Yu is drafted again. Next day, even more bombs are found, ever more elaborate. With the cops still clueless as to the perps' identities and the reason for planting them, Yu feels he may be running out of luck.
Though the script's structure is necessarily repetitive as the plot continually ups the ante, the performances by the central players, including scripter Lan Jinglin as Capt. Wang, keep the dramatic focus on character rather than countdown. Grizzled Ma is terrific in the central role, improvising with everything from a fishing rod to his own gut feeling, while his baffled colleagues stand around bitching or looking helpless.
Pic's gruff northern humor and wintry setting (with everyone muffled in greatcoats and other thick clothing) also play against the usual slickness of genre thrillers. With its unfussy look and feel for place, "Old Fish" is essentially a character drama that happens to be about a bomb-disposal worker, though helmer Gao's offhand approach to the material does generate its own tension as audience identification grows.
Luo Pan's grungy-looking lensing is largely handheld, and pic uses no music. Film is also known under the more generic but less suitable title "Nick of Time."
Camera (color), Luo Pan; editor, Yang Hongyu; art director, Xiao Haihang; sound (Dolby Digital), Liu Linzong, Zhu Xiaojia; visual designer, Liu Hongman; police advisers, Lan, Yu Xiangqing; assistant director, Hong Biao. Reviewed at Shanghai Film Festival (competing), June 19, 2008. (Also in Hong Kong Film Festival.) Running time: 112 MIN.
http://www.variety.com/review/VE1117937 ... id=31&cs=1