I know Brian has created a thread for a specific book , but I wanted an area where we could discuss errors and potential errors with all books on Asian cinema. I was thinking one post per book and, of course, discussion or comments in other posts.
Please check the below, if I am wrong I will change. Answers to the questions below are greatly appreciated.
Planet Hong Kong (2000) by David Bordwell
"…Golden Harvest bought the Cathay studio in Diamond Hill and arranged for overseas distribution through Cathay. Chow lured away King Hu, Wang Yu, director Lo Wei, and other Shaws talent, but his biggest coup was signing Bruce Lee." (pg. 68)
King Hu went to Taiwan (Union Productions) after the Shaw Brothers.
"Take the cycle launched by Wong Jing in 1989 with God of Gamblers." (pg. 131)
The cycle was started by Casino Raiders which came out earlier that year.
"In 1997 he [Tsui Hark] remade A Chinese Ghost Story as Hong Kong's first animated feature." (pg. 136)
Three Older Master Cute films were made before this: [url href="http://hkmdb.com/db/search/results/S8reZk2NYFMw9i3Rf958Q-1.mhtml"]HKMDB link[/url] (thanks dleedee)
"…he has played a stud who pretends to be gay in order to attract sympathetic women (The Eighth Happiness, 1988)." (pg. 160)
He plays effeminate in the film, he does not play gay.
"After the hero of Casino Raiders (1989) is hurt in his left hand, he demands that the villain bet his right arm and leg, while the villain counterbets on the heroine's right hand." (pg. 186)
His hand isn't hurt, he was shot in the torso twice.
"In Casino Raiders (1989) Sam (Andy Lau), who has failed his wife and friend, must redeem himself in a crucial card game. He takes off his wedding ring to be able to play more nimbly." (pg. 198)
Sam is actually Alan Tam. He doesn't take off his ring to play more nimbly he takes it off because he is ordered to.
"Patrick Yau's remarkable 1998 thrillers The Longest Nite (sic) and Expect the Unexpected mobilize rigorous cutting and dynamic movement not in order to project the exuberance of sheer movement but to give punishing force to a blunt, bleak nihilism." (pg. 246)
Not that this is David Bordwell's fault, but we now know who did most of the directing in these films.
"…the spiraling cycles of Russian roulette of Bullet in the Head…" (pg. 251)
Technically what Jacky Cheung went through wasn't Russian roulette since there was no chance.
I have some questions on these:
[on Taiwan] "In 1988 about 190 domestically made films were released; by 1994 there were only 18." (pg. 74)
Where is a reliable "newer" -source on this information?
"...(they recall the tiresome blooper credits of 1970s Burt Reynolds movies), these montages announce the films' eagerness to please,…" (pg. 134)
I'm going to check some of these films when I have a chance. Does anyone know any specific titles that Burt Reynolds was in during the 1970s where there were blooper credits?
"He [Tsui Hark] was born in Vietnam in 1951…" (pg. 137)
He was possibly born in Canton, moved to Saigon later. However, so many sites have contradictory information on this. He stated Canton in Hong Kong Babylon interview. Does anyone have any good info on this? Even the year is different on where you look. States he is Vietnamese in this interview: http://www.time.com/time/asia/features/ ... 32000.html
"In thirty years King Hu made just eleven features…" (pg. 254)
This may be twelve. I'm not sure of the status of "The Juvenizer and All The King's Men.